Ningnong's research on Bill Viola and El Anatsui

Bill Viola


A contemporary video artist, born January 25, 1951. He is considered a leading figure in the generation of artists whose artistic expression depends upon electronic, sound, and image technology in New Media. His works focus on the ideas behind fundamental human experiences such as birth, death and aspects of consciousness.

BILL'S INSTALLATION WORK



There are 2 types of video one with the sound and the mute one. Video with sound will transport the message which artist want to send us pass through our eyes and ears , But the mute one only with eye.


OCEAN WITHOUT A SHORE



“Ocean Without a Shore is about the presence of the dead in our lives. The three stone altars in the church of San Gallo become portals for the passage of the dead to and from our world. Presented as a series of encounters at the intersection between life and death, the video sequence documents a succession of individuals slowly approaching out of darkness and moving into the light. Each person must then break through an invisible threshold of water and light in order to pass into the physical world. Once incarnate however, all beings realise that their presence is finite and so they must eventually turn away from material existence to return from where they came. The cycle repeats without end.”
Bill Viola







Site is at San Gallo church. Black square point out as a video representing about living and death. The altar been pointed out by its function and belief like normally what does it been use for.
 
Originally installed inside the intimate 15th century Venetian church of San Gallo


SILENT MOUTAIN

"probably the loudest scream I have ever recorded is in the soundless work, 'Silent Mountain'.” – Bill Viola


   
video does not rely on technological tricks: There is neither fancy editing nor special effects. The action is simultaneously violent and slow.



 El Anatsui



An African artist, born in Ghana, 1994, Works in wood, ceramics, metal, clay, liquor bottle, mild can, aluminum printing plates and traditional believe objects. Also he want his art to reflect mystery of life.

El Anatsui was born and raised in Ghana. The kente cloth is native to Ghana and can have significant cultural meaning. Below is a picture of a traditional kente cloth.  Comparing the colors and designs of this cloth to El Anatsui’s work you can see how that influence has carried over.  The colors carry specific meaning to the people of Ghana.


MATERIAL IN HIS WORKS

 Using recycle materials
1.Demonstrate the current erosion and distressed of human condition
2.Renewal that it possible through a dazzling synthesis and inter weaving


showing the origins and the process of making the work of El Anatsui start from collecting ,material.

 

FRESH AND FADING MEMORIES 


 

  






Technique of el anatsui which he make one material turn to be another material which people from far space will never know the truth about it unless they come closer then they will know what it really is



















2 types of El installations, one on the façade of the building the installation will have much more space between itself and the façade that it attach with compare to when installing it on the flat wall



AKINDRA SASA


 
Text on some aluminum sheets, several of which were once use for funeral announcement ,make a note of the birth and death dates.It is a message in which the wording of at least one refer not to garbage, but what he call waste lives of far too many fellow Africans


Also resemble the Adinkra mourning, cloth of Ghana
 








 The one on the left representing object that been used as a death announcement and late on it been apply on other material. But anyway its root meaning still be the same no matter how much it change , the purpose still about the death.








INSTALLATION AND SENSORY ORGANS 

 
There are five organs serving as the sensory organ. Artist playing with some of them to make people feel something about their work. The differ color circle use to represent differ installation work

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