Jan's documentation and post-analysis on You can, Can you?



FIRST ANALYSIS : OBSERVATION


SURVEY
The survey was created to ask people how they actually feel towards the space and when they accidentally step on the letter. Most of the answer were said that it was okay if we did not tend to step on it.

EXPERIMENTATIONS
Does the place matter?

EXPERIMENT 1



The interviews asking how people  feel and the video recording their reactions towards the obvious Sor Tor - it seems that people tends to walk away according to their thought that it was a piece of art work that belongs to someone. That's why they are walking away as much as possible.


EXPERIMENT 2



The location was changed to in front of elevators to aim the people who come in and out of the elevator. the result was that most people keep avoiding it even they were forced to notice immediately that they are out form the elevators. There are lesser people who step on Sor Tor 

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THE PLACEMENT WAS MATTER

SECOND ANALYSIS : PRODUCTION



DOCUMENTATION : FIRST EXPRESSION
At first, I let people walk from the front gate in order to make it looks more sacred that the statue is looking to us, and let them investigate. Ajarn were the first people who actually step on the installation which made other students followed.
When they first saw the installation on top of the letter 'สธ', the first expression that i saw was just a 'stunning' expressions




DOCUMENTATION : CHANGE OF FEELINGS AND EXPRESSION
Not so long, people began to saw a soccer ball which make they realised that the whole installation is the soccer field. Audience actually knows that it was created for playing not for just looking - they started to play and changed their expressions




DOCUMENTATION : RESULT FROM THE AUDIENCE
Many people said that it was okay for them to step on the Sor Tor indirectly via the installation. A girl also said that it was quiet new to her because she never step on the letter and she never know the feeling when step on it as well. There was also a girl that step on it accidentally, but suddenly she turned and said that she felt guilty for some reason but when she saw that her feet was on the installation, the feeling was kind of relived. 





RESPONSE OF THE INSTALLATION
It was very successful to convey people's feelings and somehow I felt that people's just forgot that where were they right there because they tends to play and expressed their 'joyful' feelings. The audience actually kissing the installation and the installation actually kissing the architecture erotically.






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