Jan's installation development: You can, Can you?


development 1: IDEA Concept

Kissing Architecture



Kissing architecture is when two things interact with each other and create another relationship. My ingredients would be the installation together with our believe of cannot step on Sor Tor


CONCEPT: DARE TO DO THE OPPOSITE



Survey



The survey was created to ask people how they actually feel towards the space and when they accidentally step on the letter. Most of the answer were said that it was okay if we did not tend to step on it.

Site chosen



Artist inspiration

Andy Warhol

mass production
exaggerated scale
Do the opposite

Zhang Huan

Breaking the rule


DEVELOPMENT 2: IDEA CONCEPT

1st idea: playing with people's mind


changing the scale of the letters and make it another Thai letter 'ภ' because it looks similar which might effect people's mind so if they actually step on it they will not feel guilty after they recognise. 


Conceptual Diagram

How we see, and how we perceived. 


Method

               
   
         
       

Method was designed in three different way which the expectations of audiences' reaction in different way as well


Lettering


The possible of transforming the letter in different ways



DEVELOPMENT 3: Experimentations

DOES THE PLACE MATTER?

1st Experiment





The interviews asking how people  feel and the video recording their reactions towards the obvious Sor Tor - it seems that people tends to walk away according to their thought that it was a piece of art work that belongs to someone. That's why they are walking away as much as possible.






The location was changed to in front of elevators to aim the people who come in and out of the elevator. the result was that most people keep avoiding it even they were forced to notice immediately that they are out form the elevators. There are lesser people who step on Sor Tor 

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THE PLACEMENT WAS MATTER

Site Analysis




DEVELOPMENT 4: IDEA CONCEPT

2nd idea: making people step on Sor Tor intensionally


Sacred VS Profane


sacred |ˈsākrid|

adjective
connected with God (or the gods) or dedicated to areligious purpose and so deserving veneration: sacredrites | the site at Eleusis is sacred to Demeter.• religious rather than secular: sacred music.• regarded with great respect and reverence by a particular religion, group, or individual
profane |prəˈfānprō-|
adjective
relating or devoted to that which is not sacred or biblical; secular rather than religious: a talk that tackled topics both sacred and profane.
• (of a person) not initiated into religious rites or any esoteric knowledge: he was an agnostic, a profane man.
(of a person or their behavior) not respectful of orthodox religious practice; irreverent: desecration of the temple by profane adolescents.
• (of language) blasphemous or obscene.


Conceptual Diagram


The installation will remove the believe temporarily


Inspiration

 


Crossing Emotional



The installation will used the idea of crossing emotional to defined what is Erotic. 
The  idea of how different spaces creates different atmosphere and different feelings.



DEVELOPMENT 5: Gathering IDEA


Designing



The final idea is to combine what people seems to have a 'fun' reaction and interacting to it which is the soccer field covered on what make people 'beware of' not to be near. In order to change people's perception from respect to having fun. 

To make it clear, the concept of the installation is to turn a beware reaction into a fun reaction but using the letter that we believed in and respected it to create a soccer pitch. Audience will not recognise if there are many letters overlapping. The hypothesis of this observation is that they will notice where is the real Sor Tor. However, the floor that they step on it actually the letter that they believed in as well.

The conclusion is that what matter to them is the LETTER not anything


What will be their reaction if the floor that they step on is Sor Tor?













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